Connor Daly’s Minimal Works presents a compelling paradox: photographs that reveal by concealing. Over six years (2016-2022), Daly turned his lens toward overlooked spaces—car parks, lido pools, tennis courts, walls, even a crazy golf course, stripping them of context to create something unexpectedly profound. These aren’t documentary photographs. By removing mundane spaces from their everyday contexts, Daly challenges photography’s claim to truth-telling. A patch of astroturf becomes a meditation on colour and texture. A tennis court transforms into a geometric abstraction. A car park hints at countless human stories that briefly occupied its boundaries.

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